{"id":33,"date":"2007-04-22T14:34:21","date_gmt":"2007-04-22T12:34:21","guid":{"rendered":"http:\/\/katarinazdjelar.wordpress.com\/texts\/"},"modified":"2026-06-19T12:42:54","modified_gmt":"2026-06-19T12:42:54","slug":"texts","status":"publish","type":"page","link":"https:\/\/www.katarinazdjelar.net\/?page_id=33","title":{"rendered":"SELECTED TEXTS"},"content":{"rendered":"

\u00a0(click on the links to read the texts) <\/span><\/p>\n

Selected reviews\u00a0\u00a0<\/span><\/strong><\/p>\n

–Mister Motley, De notie van tijdelijke collectieven in het werk van Katarina Zdjelar, by <\/a>Annosh Urbanke<\/a>, 2024<\/p>\n

-Mousse Magazine Katarina Zdjelar \u201cNot a Pillar not a Pile (Tanz f\u00fcr Dore Hoyer)\u201d<\/a>2018 <\/span><\/p>\n

-Camera Austria, To Walk a Line, by Sabine Weier, 136\/2016<\/a><\/span><\/p>\n

–Springerin_Magazine,\u00a0Towards a Further Word,\u00a0<\/a>a feature by Katrin Mundt (in German<\/a>),\u00a0issue 2\/2014<\/span><\/p>\n

–Manifesta journal,\u00a0In the Fabric of the Voice: A Polyphonic Conversation, an interview with Virginie Bobin, February 2014, #17\u00a0<\/a><\/span><\/p>\n

–Art in America,\u00a0Sounding the social, feature by David Markus, September issue, 2013<\/a><\/span><\/p>\n

–Artforum, One or Two Songs, review by Dominikus Muller, 2010<\/a><\/span><\/p>\n

–Frieze magazine<\/a>,Parapoetics by Esperanza Rosales, 2009\u00a0<\/a><\/span><\/p>\n

–New York Times,\u00a0Small World Crammed on the Grand Stage of the Venice Biennale, 2009<\/a><\/span><\/p>\n

-Metropolis M, Serbian Pavilion: Katarina Zdjelar by Christel Vesters, 2009<\/span><\/div>\n
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-Indian Express,<\/a>\u00a0Art in Motion, 2013<\/a> <\/span><\/div>\n
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–Spotlight Katarina Zdjelar by Alexander Mayhew for\u00a0Tubelight<\/a>, 2009<\/span><\/div>\n
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-An article by Hans den Hartog Jager for NRC<\/a>, 2009<\/span><\/div>\n
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-De taal spreken is de rol spelen\u00a0by Anna van Leeuwen for Kunstbeeld, 2009<\/a><\/span><\/div>\n
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-Lichaam en Taal by Thomas\u00a0van\u00a0Lier for Metropolis M<\/a>, 2009<\/span><\/div>\n
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Selected exhibition texts<\/strong> <\/span><\/p>\n

–Between The Sounds, text by Branislav Dimitrijevic, published by Muzeum Sztuki, Lodz, 2016\u00a0<\/a> <\/span><\/p>\n

–Towards a Further Word, text by Arnisa Zeqo, published by Kunstverein Bielefeld, 2014<\/a> <\/span><\/p>\n

–Towards a Further Word, text by Dominicus Muller, published by Kunsteverin Bielefeld, 2014<\/a> <\/span><\/p>\n

–Towards a Further Word, text by Sabeth Buschman, published by Kunstverein Bielefeld, 2014<\/a><\/span><\/p>\n

–Of More Than One Voice, text by Lucy Cotter, published by Museum Artium, 2013\u00a0<\/a> <\/span><\/p>\n

–Of More Than One Voice, text by Katrin Mundt, published by Museum Artium, Vitoria-Gasteiz, 2013<\/a> <\/span><\/p>\n

–Of More Than One Voice, text by Frans-Willem Korsten, published by Museum Artium, Vitoria-Gasteiz, 2013<\/a> <\/span><\/p>\n

–Of More Than One Voice, text by Luigi Fassi, published by Museum Artium, Vitoria-Gasteiz, 2013<\/a> <\/span><\/p>\n

–Refugees’ve got talent by Mladen Dolar, published by City Art Gallery Ljubljana, 2011<\/a> <\/span><\/p>\n

–Parapoetics,\u00a0<\/a>conversation between Mariette Dolle and Katarina Zdjelar,\u00a0<\/a>exhibition guide,<\/a>\u00a0published by TENT., 2009<\/span><\/p>\n

–Parapoetics, If We Be With Things, text by Frans-Willem Korsten, published by TENT., 20<\/a>10<\/span><\/p>\n

–Parapoetics, Which Voice?<\/a> by Mladen Dolar<\/a>,published by TENT., 2010\u00a0<\/a><\/span><\/p>\n

–Parapoetics, Voice and vision, text by Willem Schinkel, published by TENT, 2010<\/a><\/span><\/p>\n

–But if you take my voice what will be left to me?, <\/a>catalogue, 53rd Venice Biennial, Serbian Pavilion, 2009<\/a><\/span><\/p>\n

\u00a0(with texts by Anke Bangma, Mladen Dolar, Frans-Willem Korsten, Jan Verwoert, Branimir Stojanovic, Katarina Zdjelar)<\/span><\/p>\n

–Some Consequences of Sounds\u00a0by Branislav Dimitrijevic for The 50th Octobar Salon, 2009<\/a><\/span><\/p>\n

–Some notes on Katarina Zdjelar\u00a0by Steve Rushton for Wherein certain persons\u20262006<\/a><\/span><\/p>\n

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\u00a0(click on the links to read the texts) Selected reviews\u00a0\u00a0 –Mister Motley, De notie van tijdelijke collectieven in het werk van Katarina Zdjelar, by Annosh Urbanke, 2024 -Mousse Magazine Katarina Zdjelar \u201cNot a Pillar not a Pile (Tanz f\u00fcr Dore Hoyer)\u201d2018 -Camera Austria, To Walk a Line, by Sabine Weier, 136\/2016 –Springerin_Magazine,\u00a0Towards a Further Word,\u00a0a […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-33","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.katarinazdjelar.net\/index.php?rest_route=\/wp\/v2\/pages\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.katarinazdjelar.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.katarinazdjelar.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.katarinazdjelar.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.katarinazdjelar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33"}],"version-history":[{"count":1,"href":"https:\/\/www.katarinazdjelar.net\/index.php?rest_route=\/wp\/v2\/pages\/33\/revisions"}],"predecessor-version":[{"id":2249,"href":"https:\/\/www.katarinazdjelar.net\/index.php?rest_route=\/wp\/v2\/pages\/33\/revisions\/2249"}],"wp:attachment":[{"href":"https:\/\/www.katarinazdjelar.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}